Screenplay: Wheelchair
Certainly! Here's a polished screenplay version of *Resident Asylum: Eat a Takeout, I’m in a Wheelchair or Heat Your Bedroom Tax*, complete with scene descriptions, character cues, and a satirical tone.
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# **Resident Asylum: Eat a Takeout, I’m in a Wheelchair or Heat Your Bedroom Tax**
**Genre:** Satirical comedy
**Format:** Screenplay
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### **FADE IN:**
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### **SCENE 1: GOVERNMENT OFFICE**
**INT. CLUTTERED GOVERNMENT OFFICE — DAY**
*An office decorated with an Irish flag, posters that read “Welcome to Resident Asylum,” and stacks of paper. A stern *GOVERNMENT OFFICIAL* sits behind a cluttered desk. The *CITIZEN* nervously approaches.*
**GOVERNMENT OFFICIAL**
(cheerful, sarcastic)
Ah, welcome! You’ve arrived at the pinnacle of Irish policy—where common sense is on holiday. How can I assist ye today?
**CITIZEN**
(uncertain)
I heard I might have to live in a cold house, eat takeouts just to survive, and pay extra taxes for sleeping in my own bed. Is that true?
**GOVERNMENT OFFICIAL**
(laughs softly)
Oh, you’ve heard right! Here at Resident Asylum, we’ve pioneered a new approach. When your house isn’t warm enough, just *use a takeaway container as a heater*. It’s eco-friendly and tastes great, too!
**CITIZEN**
Wait, you’re serious? That’s… that’s crazy.
*(Enter *MINISTER OF INEFFICIENCY*, a pompous man with a loud tie and an exaggerated smirk.)*
**MINISTER OF INEFFICIENCY**
(grandly)
Did someone mention crazy? We prefer *innovative*. Why pay for heating when you can pay *us* for the privilege of being cold? It’s the Irish way—embracing the chill!
**CITIZEN**
And the bedroom tax? Why am I taxed for my own bedroom?
**MINISTER OF INEFFICIENCY**
Because! If you’ve got a *spare bedroom*, you’re *wasting space*. We’re just *encouraging* you to downsize. Think of it as a gentle nudge—closer to your neighbor, or closer to the taxman.
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### **SCENE 2: CITIZEN’S HOME — NIGHT**
**INT. CITIZEN’S HOUSE — NIGHT**
*The Citizen shivers, holding a half-eaten takeaway container, staring at a cold radiator.*
**CITIZEN**
(voice trembling)
So, I’m supposed to eat more takeouts, freeze in my own home, and pay more taxes? Is this some kind of joke?
*(Enter *LOCAL COUNCILLOR*, a slick, smiling figure with a clipboard.)*
**LOCAL COUNCILLOR**
(grinning)
No joke, just a new way to save *your* money! Plus, the takeout keeps the delivery drivers employed. We’re all in this together!
**CITIZEN**
And what about healthcare, education? Are those still a thing?
**LOCAL COUNCILLOR**
(shrugs)
Well, those are *luxuries*. But don’t worry—we’re working on a new plan: *taxing happiness*. Stay tuned!
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### **SCENE 3: OFFICE OF THE MINISTER — DAY**
**INT. MINISTER’S OFFICE — DAY**
*The Minister stands beside a chart labeled “Policy Failures & Achievements.”*
**MINISTER OF INCOMPETENCE**
(boastfully)
You see, folks, we’ve successfully *rebranded* austerity as *progress*. Our new slogan? “Less is more, especially when it’s your comfort!”
*(Aide whispers to the Minister.)*
**AIDE**
Sir, the citizens are upset.
**MINISTER OF INCOMPETENCE**
(smiling wider)
Good! That means we’re doing our job. Keep the chaos coming!
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### **SCENE 4: TOWN HALL PROTEST**
**EXT. TOWN SQUARE — DAY**
*Citizens hold signs: “Heat Our Homes!” “Stop the Bedroom Tax!” “Eat Real Food!”*
**CITIZEN 2**
(shouting)
This is madness! We need proper heating, healthcare, and decent living conditions!
**OFF-STAGE SPOKESPERSON**
(voice over loudspeaker)
Your complaints are noted. Please enjoy your cold takeout and remember—taxes keep Ireland running!
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### **SCENE 5: GOVERNMENT OFFICE — DAY**
**INT. CLUTTERED GOVERNMENT OFFICE — DAY**
*The *GOVERNMENT OFFICIAL* addresses the camera with a resigned smirk.*
**GOVERNMENT OFFICIAL**
(in mock sincerity)
In Ireland, we believe in a bright future—bright in the sense that it’s lit by the glow of your frozen homes and empty wallets. But don’t worry! We’re always working on new ways to make life *more interesting*. Welcome to Resident Asylum!
*(The camera zooms out as the official laughs artificially, the Irish flag waving in the background.)*
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### **FADE OUT.**
**END.**
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Would you like me to add a closing narrator’s remarks or any specific scene directions?
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